The future is digital. When it started, Netflix was the only competitive name in the international market for online streaming content, offering competitive prices and a wide variety of content. Needless to say, the playing field has changed since 2007. Now, audiences have a wide variety of services to chose from, including Amazon Prime, Hulu, HBO Go and the upcoming Disney Streaming Service, which will offer original Marvel content and the upcoming, $100 million Jon Favreau Star Was show. There are more top-tier options to chose from as well, including Sling, Playstation VUE and CBS streaming site All Access, which recently revealed Patrick Stuart’s return as Picard in an upcoming Star Trek show. YouTube has gotten into creating original content with Cobra Kai and Apple is looking to create original content by 2019 after investing $1 billion in the venture.
While the cost of streaming still is cheaper than regular cable for most, how long before those combined costs surpass the cost of cable?
Continue reading “Is This The Future Of Online Streaming? – ScreenHub Entertainment”
Absolutely everything today is public – every post, every text, every email, every tweet. In our internet-obsessed world, humanity is permanently connected through each individual’s digital footprint. It is no longer uncommon to wake up to a seemingly endless string of tweets made by anyone from world leaders to the primary faces of pop culture. However, at what point can we draw the line between free speech and ignorant oversharing? On May 29th, this sensitive issue was brought to light on a global scale and under unfortunate circumstances.
Continue reading “‘Roseanne’ May Be Over, But Racism Is Not – ScreenHub Entertainment”
May 18th is a day I did not foresee as one of controversy. Yet, when it was announced that this would be the premiere date for season two of 13 Reasons Why, the backlash was inevitable. This Netflix series first hit the public eye in March 2017 and immediately left critics divided. Based on the novel by Jay Asher, 13 Reasons Why centres in on the … Continue reading A Second Chance for ’13 Reasons Why’? – ScreenHub Entertainment
The Fast and the Furious franchise is known now for being an over the top, goofy action series that’s best described as a Saturday morning cartoon. Well, looks like the good folks at Netflix saw that comparison and decided to make it a reality as the streaming platform has just ordered a Fast and Furious animated spin off series with their new partners.
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(Disclaimer: this post contains spoilers for Annihilation and for The Southern Reach trilogy that the film was based on) Earlier this week, the film adaptation of Jeff VanderMeer’s Southern Reach Trilogy dropped worldwide on Netflix having only gone through cinemas in China, Canada, and the USA when Paramount sold it to Netflix after predictions that it wouldn’t make enough money as it was ‘too intellectual’. This at … Continue reading What Went Wrong With ‘Annihilation’? – ScreenHub Entertainment
Over the past decade, intellectual science fiction films have been few and far between. The last decade has seen some noteworthy attempts, from Inception in 2010, to Looper and Her in 2013 and 14, and Ex Machina and Arrival shortly after. In the last year, however, Blade Runner 2049, directed by Arrival Director Denis Villeneuve, underperformed at the box office, leading many Hollywood executives to believe that more challenging … Continue reading Are Netflix And HBO Providing A Home For Intellectual Science Fiction? – ScreenHub Entertainment
At Cinemacon, producer J.J. Abrams offered an update about “Overlord” to audiences. While the cast, director and plot summary remain in tact, Abrams denies that his upcoming historical horror film is part of the Cloverfield universe. Now, this could all be a ruse to distract audiences but Abrams did say that a proper Cloverfield sequel would be hitting the big screen “soon” and that Overlord is very much it’s own, R rated thing (an apparent first for Bad Robot). So why the sudden shift? It could be that Overlord was never meant to be part of the sci-fi universe that is Cloverfield, or that the poor reception to The Cloverfield Paradox has Abrams and company shifting the attention of this movie away from the franchise for the time being. Time will (maybe) tell.
Original story follows.
Continue reading ““Cloverfield: Overlord” Gets Revealed, Will Be Set During WWII – ScreenHub Entertainment”